The works of Armenian medieval mural paintings stand out for their artistic merits, with often original iconography and are of great importance not only for Armenian, but also for world art. Mural painting (fresco) is one of the oldest branches of Armenian art, one which is inextricably linked with architecture. Ancient samples of mural painting in Armenia have been preserved from the times of the Kingdom of Urartu (Ararat), 8-7th centuries BC.
Edited by Hans-Lukas Kieser, Seyhan Bayraktar, and Khatchig Mouradian, After the Ottomans: Genocide’s Long Shadow and Armenian Resistance (I.B. Tauris, 2023), presents the work of eleven scholars of history, anthropology, literature, and political science exploring the Ottoman Armenians not only as the major victims of the First World War and the post-war treaties, but also as agents striving for survival, writing history, transmitting the memory and searching for justice.
Organized and hosted by the National Association for Armenian Studies and Research (NAASR) and the Society for Armenian Studies (SAS) with respect and gratitude for Prof. Hovannisian’s immeasurable contributions as a scholar, mentor, and leader.
Dr. Christina Maranci highlights the importance of combining technological innovations with knowledge of the conventions of Armenian art and texts, as well as traditional methods of visual and comparative analysis in her talk Wall Painting in Ani, Horomos, and Mren: Findings and Remarks.