The works of Armenian medieval mural paintings stand out for their artistic merits, with often original iconography and are of great importance not only for Armenian, but also for world art. Mural painting (fresco) is one of the oldest branches of Armenian art, one which is inextricably linked with architecture. Ancient samples of mural painting in Armenia have been preserved from the times of the Kingdom of Urartu (Ararat), 8-7th centuries BC.
Edited by Hans-Lukas Kieser, Seyhan Bayraktar, and Khatchig Mouradian, After the Ottomans: Genocide’s Long Shadow and Armenian Resistance (I.B. Tauris, 2023), presents the work of eleven scholars of history, anthropology, literature, and political science exploring the Ottoman Armenians not only as the major victims of the First World War and the post-war treaties, but also as agents striving for survival, writing history, transmitting the memory and searching for justice.
Organized and hosted by the National Association for Armenian Studies and Research (NAASR) and the Society for Armenian Studies (SAS) with respect and gratitude for Prof. Hovannisian’s immeasurable contributions as a scholar, mentor, and leader.
Dr. Christina Maranci highlights the importance of combining technological innovations with knowledge of the conventions of Armenian art and texts, as well as traditional methods of visual and comparative analysis in her talk Wall Painting in Ani, Horomos, and Mren: Findings and Remarks.
In the spirit of the season, Literary Lights featured Susan Barba, editor of American Wildflowers: A Literary Field Guide. Barba will be joined by Dr. Jesse S. Arlen.
Melissa Bilal is the Associate Director of the UCLA Armenian Music Program and Lecturer in the Department of Ethnomusicology. Previously a Distinguished Research Fellow at CNES, before UCLA, she was an Assistant Professor in the School of Humanities and Social Sciences at the American University of Armenia, where she continues serving as a core team member developing the Gender Studies minor program.
In 2021, Büke Uras published his most comprehensive publication to date, “Balyans, Ottoman Architecture and Balyan Archive.” The Mayor of Istanbul financed the 3rd and 4th editions of the book and decided it to be the official diplomatic gift of Istanbul Municipality, a first in Republic’s history for an item of Armenian subject.
The Horrors of Adana offers one of the first close examinations of these events, analyzing sociopolitical and economic transformations that culminated in a cataclysm of violence. Drawing on primary sources in a dozen languages, he develops an interdisciplinary approach to understand the rumors and emotions, public spheres and humanitarian interventions that together informed this complex event.
We Are All Armenian is a groundbreaking collection of personal essays–by established and emerging Armenian voices–exploring the multilayered realities of life in the Armenian diaspora.