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MOURNING PHILOLOGY: Art and Religion at the Margins of the Ottoman Empire

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by Marc Nichanian / Translated by G.M. Goshgarian and Jeff Fort

During the last seven years of his life, poet, Daniel Varuzhan he wrote largely in a “pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? Was Varuzhan echoing Schelling's Philosophy of Art?

Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of the orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora.

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