Event Videos
The Armenian Cultural Heritage of Artsakh (Nagorno-Karabakh)
INTRODUCTORY REMARKS
CHRISTINA MARANCI, Dadian-Oztemel Professor of Armenian Art and Architecture, Tufts University
PRESENTERS
PATRICK DONABEDIAN, Faculty Member, Histoire de l'art et archéologie, Aix-Marseille Université
TAMARA MINASYAN, Matenadaran/Mesrop Mashtots Institute of Ancient Manuscripts (with translation by Sona Baloyan)
HAMLET PETROSYAN, Head of the Department of Cultural Studies of Yerevan State University and Head of Artsakh Archaeological Expedition
Photos: 13th century fresco from Dadivank' (Shahen Mkrtchian, Treasures of Artsakh
NAGORNO-KARABAKH/ ARTSAKH IN THE MEDIA: Perspectives from Around the Globe
Join scholars Maria Armoudian, Stephan Astourian, Ayda Erbal, Ohannes Geukjian, and Emil Sanamyan for a discussion moderated by Marc Mamigonian on the coverage of the war on Artsakh in the international media from Russia, Turkey, Azerbaijan, the Middle East, and the West.
Nagorno Karabakh/Artsakh and the Palimpsests of Conflict, Violence, and Memory
Organized by the Armenian Studies Center at UCLA's Promise Armenian Institute, this Zoom-held international conference on the region's troubled history seeks to raise critical awareness of the complex and variegated history behind the current violence. The gathering will be the first of its kind to frame the conflict around its “deep” history, revealing its Soviet, Ottoman, and more recent geopolitical layers.
The Dildilians: A Story of Photography and Survival
A virtual film screening and discussion of "The Dildilians: A Story of Photography and Survival," a documentary capturing the way of life in Anatolia, Turkey prior to the Armenian Genocide of 1915. The story is told through the voices of family descendants of the Dildilians, a family of remarkable photographers, and supplemented with historical photographs and documents from the family archive.
Armenian Ceramics: How the Art of a Genocide Survivor Changed the Face of Jerusalem
Sato Moughalian details the lineage of her grandfather David Ohannessian’s ceramic tradition and document the critical roles his deportation and his own agency played in its transfer—aspects of the story obscured in the art historical narrative. She speaks about the process of coming to terms with her family’s past, the ways in which that served as an impetus to excavate and reconstruct her grandfather’s history through archival research, and the importance of preserving the stories of peoples displaced through migration.