Dr. Artyom Tonoyan's talk will focus on some of the most interesting and critical themes emerging from the decades-long Soviet and Russian press coverage of the Nagorno-Karabakh conflict.
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous studios of the imperial capital, Ottoman Armenian-run establishments that produced Orientalist visions for tourists and images of modernity for a domestic elite.
Claude Mutafian’s most recent book, Jérusalem et les Arméniens: Jusqu’à la conquête ottomane (1516), presents the relations between Armenia and Jerusalem in their historical and artistic context with an abundance of maps, genealogical charts, and images.
In this talk, Dr. Ümit Kurt will explore Mimaroğlu’s biography including his relationship with the Armenian journalist and professor Diran Kelekian, who was arrested by his former student Mimaroğlu in April 1915 and killed; examine the continuation of a genocidal regime in the modern Turkish Republic and how genocidaires such as Mimaroğlu constituted core elements of the new state; and explore what kinds of administrative/bureaucratic mechanisms made the Armenian Genocide possible and how technocrats like Mustafa Reşat, taking charge of these mechanisms, facilitated the genocide for political decision-makers.
The presentation will focus on the problem of how the memory of trauma, survivors of genocide and repression interact. In some cases, they can develop in parallel, independently of each other. In others, the memory of repressions is formed according to the model of memory of the genocide, when the memory of repressions repeats some of the mechanisms developed in connection with the memory of the genocide, both at the individual and institutional levels (compare with the multidirectional memory according to M. Rothberg). And thirdly, the memory of repression can be contrasted with the memory of genocide.
Join us for an intimate photographic journey and conversation between Dr. Carla Garapedian of the Armenian Film Foundation and renowned photographer Hrair Hawk Khatcherian on his travels to four major Armenian landmarks.
The presentation undertakes a close reading of a major painting – Provincial Wedding in Moush – by the notable, but now forgotten, Constantinople artist Garabed ‘Charles’ Nichanian (1861-1950).
The presentation will provide an overview of the collections and a demonstration on how to use the Visual History Archive by Manuk Avedikyan, former program officer (Armenian Genocide collections) at USC Shoah Foundation.
Dr. Roy Knocke sheds light on Nansen humanitarian merits during the interwar period, especially on his commitment for the Armenians, a people to whom he admiringly dedicated one of his last books Gjennem Armenia in 1927 (translated as Armenia and the Near East in 1928).
Dennis Papazian's journey is a classic American immigrant tale. Through it all, he shares his wit, resilience, keen sense of perception, and vision, as well as the memorable characters he meets along the way, as he reflects on his consequential, eventful, and at times surprising life. It is a story that will inspire and give hope to all who join him on his journey.
Dr. Artyom Tonoyan's talk will focus on some of the most interesting and critical themes emerging from the decades-long Soviet and Russian press coverage of the Nagorno-Karabakh conflict.
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous studios of the imperial capital, Ottoman Armenian-run establishments that produced Orientalist visions for tourists and images of modernity for a domestic elite.
Claude Mutafian’s most recent book, Jérusalem et les Arméniens: Jusqu’à la conquête ottomane (1516), presents the relations between Armenia and Jerusalem in their historical and artistic context with an abundance of maps, genealogical charts, and images.
In this talk, Dr. Ümit Kurt will explore Mimaroğlu’s biography including his relationship with the Armenian journalist and professor Diran Kelekian, who was arrested by his former student Mimaroğlu in April 1915 and killed; examine the continuation of a genocidal regime in the modern Turkish Republic and how genocidaires such as Mimaroğlu constituted core elements of the new state; and explore what kinds of administrative/bureaucratic mechanisms made the Armenian Genocide possible and how technocrats like Mustafa Reşat, taking charge of these mechanisms, facilitated the genocide for political decision-makers.
The presentation will focus on the problem of how the memory of trauma, survivors of genocide and repression interact. In some cases, they can develop in parallel, independently of each other. In others, the memory of repressions is formed according to the model of memory of the genocide, when the memory of repressions repeats some of the mechanisms developed in connection with the memory of the genocide, both at the individual and institutional levels (compare with the multidirectional memory according to M. Rothberg). And thirdly, the memory of repression can be contrasted with the memory of genocide.
Join us for an intimate photographic journey and conversation between Dr. Carla Garapedian of the Armenian Film Foundation and renowned photographer Hrair Hawk Khatcherian on his travels to four major Armenian landmarks.
The presentation undertakes a close reading of a major painting – Provincial Wedding in Moush – by the notable, but now forgotten, Constantinople artist Garabed ‘Charles’ Nichanian (1861-1950).
The presentation will provide an overview of the collections and a demonstration on how to use the Visual History Archive by Manuk Avedikyan, former program officer (Armenian Genocide collections) at USC Shoah Foundation.
Dr. Roy Knocke sheds light on Nansen humanitarian merits during the interwar period, especially on his commitment for the Armenians, a people to whom he admiringly dedicated one of his last books Gjennem Armenia in 1927 (translated as Armenia and the Near East in 1928).
Dennis Papazian's journey is a classic American immigrant tale. Through it all, he shares his wit, resilience, keen sense of perception, and vision, as well as the memorable characters he meets along the way, as he reflects on his consequential, eventful, and at times surprising life. It is a story that will inspire and give hope to all who join him on his journey.