The Horrors of Adana offers one of the first close examinations of these events, analyzing sociopolitical and economic transformations that culminated in a cataclysm of violence. Drawing on primary sources in a dozen languages, he develops an interdisciplinary approach to understand the rumors and emotions, public spheres and humanitarian interventions that together informed this complex event.
Professor Ron Suny, emeritus of the University of Chicago and the University of Michigan -- and author of a major study of the massacres and deportations committed by the Ottoman Turks in 1915, "They Can Live in the Desert But Nowhere Else": A History of the Armenian Genocide (Princeton University Press, 2015) -- uses the insights of Moses' work to take a fresh look at the Armenian tragedy and how it provides another lens to look at the concept of genocide.
This international conference celebrates the bicentenary of the founding of Kolkata's famed Armenian College (est. 1821), one of three centers of Armenian higher learning in the diaspora during the nineteenth century and the only one that has survived and is thriving today. Bringing together economic, literary, legal, and cultural historians from India, Armenia, France, the United Kingdom, Germany, and the United States, the conference highlights how, beginning in the early modern period and continuing to the present, Armenians have traveled to India to make its distant shores and cultures their own.
In this webinar, the Promise Armenian Institute marks the launch of a new digital exhibit at the Armenian Image Archive, which explores Kurkdjian’s stereoscopic images of Ani in 1881, taken over a period of five months after he was a photographer for the Russian Army. Dr. Joseph Malikian, curator of this new exhibit, will tell the story of Kurkdjian’s photographic expedition to Ani, and the opposition he encountered from the Russian authorities.
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous studios of the imperial capital, Ottoman Armenian-run establishments that produced Orientalist visions for tourists and images of modernity for a domestic elite.
The Horrors of Adana offers one of the first close examinations of these events, analyzing sociopolitical and economic transformations that culminated in a cataclysm of violence. Drawing on primary sources in a dozen languages, he develops an interdisciplinary approach to understand the rumors and emotions, public spheres and humanitarian interventions that together informed this complex event.
Professor Ron Suny, emeritus of the University of Chicago and the University of Michigan -- and author of a major study of the massacres and deportations committed by the Ottoman Turks in 1915, "They Can Live in the Desert But Nowhere Else": A History of the Armenian Genocide (Princeton University Press, 2015) -- uses the insights of Moses' work to take a fresh look at the Armenian tragedy and how it provides another lens to look at the concept of genocide.
This international conference celebrates the bicentenary of the founding of Kolkata's famed Armenian College (est. 1821), one of three centers of Armenian higher learning in the diaspora during the nineteenth century and the only one that has survived and is thriving today. Bringing together economic, literary, legal, and cultural historians from India, Armenia, France, the United Kingdom, Germany, and the United States, the conference highlights how, beginning in the early modern period and continuing to the present, Armenians have traveled to India to make its distant shores and cultures their own.
In this webinar, the Promise Armenian Institute marks the launch of a new digital exhibit at the Armenian Image Archive, which explores Kurkdjian’s stereoscopic images of Ani in 1881, taken over a period of five months after he was a photographer for the Russian Army. Dr. Joseph Malikian, curator of this new exhibit, will tell the story of Kurkdjian’s photographic expedition to Ani, and the opposition he encountered from the Russian authorities.
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous studios of the imperial capital, Ottoman Armenian-run establishments that produced Orientalist visions for tourists and images of modernity for a domestic elite.